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The extended design is based on the concept of the queen and chessboard. With the two colors black and gold, the design is to convey the sense of high-class and reshape the visual image. In addition to the metal and gold lines used in the product itself, the element of the scene is constructed to set off the war impression of the chess, and we uses the coordination of stage lighting to create smoke and light of the war.
Glitters is a photography series that studies the surface of sequin fabric. The series treats an ordinary functional material as a medium for abstract painting. Human contact changes the sequins in an irreversible way, and each mark is recorded by the camera. The images move from macro to micro views to explore material, texture, color and light. Chance, lighting and intuition guide the experimental approach. The photographs were taken with a digital camera and processed with digital software. Prints are made in a limited edition on fine art paper and plexiglass in four sizes.
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The designer took photos at a time when leaving the house and meeting people was a challenge, i.e. during the pandemic. Staying at home for a long time triggered the author's creativity. Therefore everyday objects found in the house, such as bowls of water, reflective materials, windows in the building were used to model the light. Her works were taken in color first, then changed to black and white. Everything was done digitally. Only one photo she took with artificial light from a lamp and it is a portrait of a boy. Silhouettes are often shown hidden.
Drive2Extremes Multivision is a series of photographic artworks that unites two extreme landscapes in single images. The Porsche Taycan Cross Turismo was first photographed on a frozen bog in Lapland, north of the Arctic Circle. Two weeks later the car was placed in the same position relative to the camera, and at a similar sun position, in the Arabian desert in the United Arab Emirates. The two views were then merged through multiple exposure techniques. The aim was to bring polar and desert scenery together in one picture. The artworks were produced in several sizes.
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In Moments of Speed, speed becomes impressively visible. At first glance, the images reveal the aesthetics and dynamics of movement and allow the intensity and energy of the moment to be felt. At the same time there is an interesting shift from visualized speed to calmness in the motif. In the movement depicted, the images radiate a serenity of their own that creates a pleasantly relaxing effect. This change in perception allows the viewer to experience a new, deeper level. Composition, details, colouring, sharpness and blurring create dramatic and at the same time an image of calm in motion.
Mother Earth is a studio portrait photograph that presents the planet in human form as a woman in poor health. The makeup uses green, blue and brown tones to represent oceans, plants and soil. Dying flower petals are placed on the head of the model to suggest illness. The expression of the model conveys sadness and vulnerability. The lighting was created with one large octabox on the model and one light on the backdrop. The final image was refined with digital editing software. The photograph links pollution to human emotion and draws attention to climate change.
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