I created a design using a free tool called GIMP that can be used by anyone in the world, and took full advantage of its features. The idea is to be able to make any graphical design in a genre without the need of purchasing expensive software for image editing. I believe it will be an opportunity for the young people who could learn form this design that buying the software for image editing might be substituted by usage of free programs and tools that will give as much possibilities for great designing.
Haezer is known for his solid bass sound, epic breaks with well polished effects. Its the sort of sound that comes off as just straight forward dance music, but on closer inspection or listening you’ll start to discover multiple layers of frequencies within the finished product. For the creative concept and execution the challenge was to simulate the audio experience known as Haezer. The artwork style is not at all the typical dance music style, thus making Haezer a genre of his own.
The primary concept of this exhibition was to simulate that from death comes new life or in this case from destruction comes creation. Human kind cannot obtain anything without first giving something in return of equal value. As the pigment falls into the water, it is constantly creating/evolving into new forms while at the opposite end it is destroying itself.
In today's society people's spirits are constantly suppressed by all the rules in order for the modern world to function. We Set Sail's music allows people to tap into their inner emotions or in this case their inner "ANIMAL" spirit. The goal was to illustrate the different contrasts of the music by blending different animals with paint clouds. Predators were used to show the aggression within the music and grazing animals were used to show the more elegant side of it.
Djinane AlSuwayeh grew up in a household that was a concoction of cultures; French and Kuwaiti, Christian and Muslim, European and Middle Eastern. Reaction is a series referring directly to Djinane's identity; a French perspective on the aesthetics of movement of Arabic calligraphy.
Djinane AlSuwayeh grew up in a household that was a concoction of cultures; French and Kuwaiti, Christian and Muslim, European and Middle Eastern. Djinane was born and lived her artistic education in France; a cultural and artistic hub, boasting one of the world’s most creatively experimental capitals and yet was raised in Kuwait what is considered to be a late developing nation, with a sleepy and stagnant Fine Arts sector. Histoires Urbaines is a juxtaposed series of portraits of a city that inspired Djinane's creative process.
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